I put the wood block on a table and arranged kimono coasters given to me by Yoshiaki around it. I thought of the kimono coasters as being the artists circling around a common idea. I thought about all the ABAD artists and how a common project and theme has brought us together. I thought of the theme, not so much as death, but as the energy of life, and how it radiates from a point outside ourselves somehow coming through us into the material world. I thought of the sun, and a diagonal line or 'belt' moving towards the material world, as if the kimono belt were the creative energy of the artist moving into the physical realm, the green earth. Then I thought, "abalcabal is fluxus and visually speaking, if it's mail art in the fluxus spirit, I need to throw in some collage", (my thought, NOT A LITERAL ONE- PLEASE) - just "fluxus likes collage" and "hanga likes chine colle", so therefore, this print needs color added using chine colle instead of multiple printing blocks.
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2010
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February
(13)
- Mailing To Jennifer
- Packaging the Prints
- Mounting the Prints
- Signing The Edition
- Printing The Block
- Preparing Papers for Chine Colle
- Preparing the Paper For Printing
- Checking The Lines of the Carved Block
- Carving The Block
- Designing the Image
- Abalcabal Hanga - The Concept
- Yoshiaki Sasaki and the Wood Block
- Where Did I Get The Wood Block?
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February
(13)
Thursday, February 4, 2010
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About Me
- Kathleen McHugh/mchughart.net
- Seattle, Washington, United States
- I am a Seattle based visual artist. I've been teaching art and facilitating community arts projects in the Pacific NW since 1994. For more information about my work and interests please visit my website: mchughart.net
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